Weddings in these halls often want the wall as a stage backdrop rather than a photo corner, and that is a different build. It has to hold up at distance and under stage lighting, which means density and a palette that does not wash out when a spot hits it. A wall designed for close-up photographs can look thin from row twenty, and we would rather design for the room you are actually in.
Where a celebration runs across several functions, we plan the walls as a set rather than one at a time. Different rooms, different scales, often different palettes across the days — deciding that up front is far cheaper than three separate last-minute orders, and it means the photographs across the weekend look like one event.